So we read texts where authors attempt to undermine these theories. They create dynamic females, and try to give strong literary heroes. But of course, they do this within the Judeo-Christian enculturated structures of gender. Which mean that often times these "dynamic" female characters are such a joke.
After class, I went back to my apartment, and thought about how wonderful unique contributions of experience could be to our understandings of morality. We could allow Gilligan to impact this idea. Men tend to favor the justice perspective - so having a female perspective allows a deeper understanding of care. Or we can recall the ideals discussed by Benhabib. This would mean recognizing that moral philosophy often excludes women in their privatization of women's experiences. Since this conceptualizes the relevant other as male, we as participants in a "moral" society need to criticize universalistic moral theory.
Using Benhabib - we can complicate many works within the literary world. Leah hints to this in her precis for class:
"Benhabib
finishes by bringing up the “generalized other” and the “concrete other” to
further illustrate these moral perspectives. The generalized other is focused
on rights, formal equality, and reciprocity, while similarity constitutes moral
dignity. On the other hand, the concrete other is focused on each individual’s
needs, equity, and complementary reciprocity, while difference constitutes
moral dignity. Benhabib states that Kohlberg and Rawls find it important to put
yourself into someone else’s shoes in order to maintain moral reciprocity;
however, their veil of ignorance about social conditions causes moral
philosophers to ignore the ways that others are different from themselves. Benhabib
suggests the use of a communicative model of need interpretations, where moral
agents communicate with each other in order to understand each other better
when developing morality."
So I challenge you to criticize one of the many texts within English Literature using Benhabib. Analyze A Tale of Two Cities. Create a counter argument for Pride and Prejudice. Flip through the Great Gatsby. Or use one of your own favorite novels. I adore Mikhail Bulgakov’s The Master and Margarita. But holy mercy, this work can be so messed up. Bulgakov presents Margarita
as a current day Eve through the elements of fertility, passion, and nudity. Then he portrays her as a temptress
through articulating both her passionate nature and resulting nudity. But Bulgakov’s writing DOES STEM from a place
of culturally engrained ideas. And without the impact of other experiences, his writing is locked within a place of patriarchy and ethno-centrism.
Try it out yourself. No worries if you're not an English major. I sure as heck am not.
This so great and true Victoria. You would be hard pressed to find any type of publication that did not cave to societal gender pressures. But we're all so accustomed to it that we don't even notice it anymore (http://awesomelyluvvie.com/wp-content/uploads/2012/05/princesses-problems.jpg). Even at Rhodes, a liberal arts driven school, we overlook subtle forms of sexism, racism, and classism on a daily basis. It shows up in our readings, our comments, and facebook posts, but it has become so hard to see and acknowledge it (at least for me). And even if we do notice and bring attention to the injustice, to what avail? It brings us back to the same question we struggled with earlier in the semester - though we recognize the problem, what can we do about it? It would appear there is very little action individuals can take to effect large populations, but maybe what we actually need is smaller actions.
ReplyDelete